Little Boy Named Avram
By Dina Rosenfeld
Abraham's Search for God
By Jacqueline Jules
Awards:
- Sydney Taylor Book Award Notable Book
Jules retells a midrash (a legend based on biblical text) in which the youthful Abraham discovers the concept of monotheism. Rejecting worship of unresponsive idols, Abraham spends time outdoors where he senses an unseen hand directing the movements of the moon, sun, storm, and rainbow. He concludes that "God is everywhere. God is in everything. God is something we know with our hearts." The story ends with the statement that "Today we remember Abraham as the father of three great religions: Judaism, Christianity, and Islam." As is often the case with biblical picture books, the storytelling is slightly formal. However, the energetic pastel illustrations are cheerful and warm, and their swirling motion eases any stiffness in the text. This simply told tale is an excellent introduction to the concept of monotheism, and would be a great discussion starter for talking about God. Its neutral stance makes it useful for readers of many faiths.
Sarah Laughs
By Jacqueline Jules
Awards:
- 2009 Sydney Taylor Honor Award
The story of the birth of Isaac is warmly retold in the second in Kar-Ben's new series of Bible stories for young children. At God's command, Abraham and Sarah leave their home and travel to Canaan with family and friends. But their joy is always dimmed by their wish for a child. God has promised that Abraham will be the father of a nation.
One day three strangers arrive at their tent. Sarah overhears them talking to Abraham, saying that she will soon be a mother.
"I'm too old," she laughs. But God doesn't forget promises…
In a year, a baby is born. She names him Isaac, which means “laughter,” and the world rejoices with her.
The White Ram: A Story of Abraham And Isaac
By Mordicai Gerstein
This stunningly illustrated picture book is based on a Midrash about a white ram that is made by God on the sixth day of creation for a single purpose–to sacrifice himself on the altar in exchange for Abrahams son. The art, done in pen and ink, oils, and colored pencil, is mesmerizing. With a captivating use of language along with true drama, Gerstein tells of the ram that patiently awaits the moment when he can play his part in Gods plan. I must save the boy! he repeats, and the story takes on a true sense of urgency. The selfless act contributes much to subsequent Jewish history, and thus to the entire world. Young children might be frightened by the evil one, who is depicted as taking many clever forms in order to foil the rams intention, but most kids will find the tale exciting. Both Judaic and Christological references can be gleaned from the text, but the story is truly ecumenical and would be universal to all belief systems. Dedicated to all our fellow animals from whom we take and receive so much, this book is sure to provoke thought and provide a moment of reflection about those in our lives who sacrifice so much for us. A masterful melding of illustration and story, The White Ram will enhance all collections.
The story of the binding of Isaac is not for the fainthearted. Abraham's willingness to slay his child, Isaac, in deference to God's wishes has provoked questions for millennia. So how does an author present a story so disturbing to many adults to an audience of children? Basing the story on Midrash, Jewish tales about Old Testament stories, Caldecott Medal-winner Gerstein frames his picture book around the pure white ram that ultimately takes Isaac's place.
The ram waits patiently in the Garden of Eden and beyond until God calls. More than once the Evil One tries to thwart him, but the ram insists, "I must save the child." He runs through swamps and jungles, leaps over lions, and finally scales the sacred mount, where he sees Isaac bound to an altar and Abraham weeping. After God intercedes with Abraham, the ram meets his fate "and his soul [flies] into God's hands." Children who don't know the story will be lost, but, of course, many will be familiar with the biblical tale. Gerstein offers an explanation about the necessity of the sacrifice through dialogue between Abraham and God, with Abraham wondering why God tested him, knowing that he would do whatever was asked. God replies, "I wanted the whole world to see your love and your trust in me so that all people might follow your example." This may temper the scene for some, even as it raises more questions for others. Of course, Gerstein can only work within the parameters of the original text. In that context, he tries hard to bring a sense of nobility to the story, embuing the ram with a fidelity that is heroic.
The art does not shy away from the fearsomeness of the story but it, too, attempts to offer hope. The intense painting, executed in inks, oils, and colored pencil, clearly depict both the evil in the world (as personified by a particularly fierce devilish character in several guises) as well as the power of God and His word. Gerstein uses shape and color to move the action through the lower realms of swamp and earth and then elevates the scene of the sacrifice on a high mountain. Though God is not seen, hints of his hands are visible in the clouds for those who look closely. Especially moving is the double-page spread that shows the broken ram on the altar, its spirit flying into the light. A stirring visual finale, on pages touched with gold, explains how the ram's ashes and bones came to build a great Temple, and how his horns will be used to call the people of Israel home.
The Ten Tests of Abraham
By Shoshana Lepon
Abraham's Great Discovery
By Bernard M. Zlotowitz and Dina Maiben
Abraham
By Anne De Graaf
Why Did Sarah Laugh
by Pauline Youd
Abraham and Isaac
By Catherine Storr